Should I be afraid? …

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Mortality

William Parrish and Joe Black stood on the top of a hill watching the spectacular culmination of the extravagant birthday party. Fireworks filled the sky and illuminated their crisp white shirts sharply outlined by well tailored tuxes. A full orchestra filled the balmy summer night air with “What a Wonderful World.” The entire event was enchanting. A perfectly appointed party celebrating William’s 65 years. 

William turned toward Joe and asked, “Should I be afraid?” A rare, warm smile crossed Joe’s face and he responded, “Not a man like you.” With that William turned away from the storybook scene before him to begin walking down the other side of the hill. Joe remained, his misty eyes transfixed on the gaiety as if attempting to absorb every minute detail.

Noticing Joe’s hesitance, and with an extraordinary amount of acceptance of his own imminent death just moments away, William says, “It’s hard to let it go, isn’t it?” “Yes, it is Bill,” replied Joe. “That’s life, what can I tell you…” The two men descend the backside of the hill and as they slipped from sight we know that Death is taking William Parrish. 

The scene is a slice from the movie Meet Joe Black. Brad Pitt plays Joe whose true identity is Death. Joe took on human form to, as he explains, “have a look around.” After millennia of curiosity he wants to know what it’s like to be alive and chooses to shadow William Parrish, played by Anthony Hopkins. Parrish is a genuinely good man who is unfortunately dying from heart disease. Instead of ushering William to the other side, Death proposes a deal: he offers William more time in exchange for staying close by his side. He then invades every corner of his life to vicariously have the experience of being human.     

I’ve seen this movie several times over the years and put it on just the other day. I needed a little respite in air conditioning while triple digit temperatures soared outside. I watched the entire film in order to see the hilltop scene in the final minutes. Not a sacrifice. In my opinion this movie is provocative and boasts one of the sweetest ‘meet cutes’ in the industry. Aside from escaping the heat, my motivation also stemmed from a few recent trips I’ve made into town.

I gladly stay home on our little farm and only drive the 15 minutes to the world of retail out of necessity. Not a big deal really, but lately something has been bothering me. Cars zip by at high speeds, cutting in and around with only inches to spare. Enormous semi trucks tower over my backside coming far too close for comfort. This is nothing new,  but I can’t seem to shake off a growing sense of vulnerability.

Pulling into the grocery store I see the McDonalds by the side of the road. I recall those people who were gunned down in a different McDonalds while waiting in line to get a burger. In one of the aisles at the grocery store another random mass shooting comes to mind. I think, “It could happen here, right now.” 

I’m not entirely sure why my thoughts are taking me to the potential dangers lurking anywhere, all the time. Up to now I haven’t been a fearful person. I might be internalizing the unavoidable evidence of hostilities in our society. Animosity so raw that the very air seems thick with it. Maybe my growing plunge into the awareness of potential harm is a matter of aging, a view toward the inevitable end that wasn’t visible some years ago. I don’t know. 

My sister-in-law was driving to work. A hospice nurse and one of the most compassionate, genuinely giving, kind people who have ever walked the earth. As she turned out onto a highway very much like the one I take into town, a car struck her at high speed. She died at the scene. No one knows what happened in the seconds before her death. Perhaps she glanced away for just a moment or misjudged how fast the oncoming car was going. What we do know is that in the blink of an eye she was gone. 

When I was young my thoughts never strayed toward the end. Life was a vast horizon for me to explore. I would always be around. Always have my health. Always be able to dream big and go for it all. That was a long time ago. In those years I challenged death more times than I’d actually like to admit. It’s a wonder I made it through reckless behavior behind the wheel, skinny dipping while higher than a kite at midnight in a lake known to have water moccasins, (very deadly snakes) or walking around dangerous areas of Chicago late at night. 

Now, hopefully a bit wiser, I see the fragility of the life I have so many times taken for granted. I am more keenly aware of the privilege it is to be alive, here on this unruly, spectacular planet among unruly and spectacular people and creatures of all kinds. Every day, every moment here we win the cosmic lottery.

From a card I keep at my desk …

“She said she usually cried at least once each day not because she was sad, but because the world was so beautiful & life was so short.”  Brian Andreas

Curiously, when it came time to complete the  arrangement between William Parrish and Joe Black it was Joe who was dragging his feet. He had a taste of living and didn’t want to leave it behind. Observing his hesitance William said, “It’s hard to let go, isn’t it?” 

I think it is hard to be at peace with our unavoidable death. Probably something most of us don’t really want to have in mind. Yet this awareness could be a gift wrapped in a shroud. Perhaps hidden in the horror of our mortality there is deep wisdom … a treasure masked by the fear of that unknown moment we creep closer to from the first time we draw breath.

Mortality could be what makes living so precious. If there was no end to life, would there be value or just more and more of the same. Welcoming death as an undeterred companion may be a strange idea, yet it’s out there someday, in some moment, and there’s absolutely no way to avoid it.

Carlos Castaneda said, “Death is the only wise advisor that we have.” Befriending our inescapable end might sweeten our days and provide unfamiliar perspective for our thinking.

And, when that unavoidable time comes, ‘should I be afraid?’ I don’t have any idea what lies beyond this life, and I am not really interested. It will be what it will be. What I am interested in is being the very best human I can be while I am here. I think if I do that what happens next will work out as it should. 

William Parrish put it this way in his final words to Joe, “That’s life, what can I tell you … “

The Geography of the Soul …

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Awareness / Follow Your Heart

I have moved 18 times in my life. Some of those were fairly inconsequential, such as several from dorm to apartments in college years. Others were significant: leaving my large extended family firmly planted in the midwest to seek the forested Pacific Northwest and on to the high desert country of the Inland Northwest where I now live. Where, if I have my way, I will live to my end.

Packing up and re-locating is a lot of work. Even so, there are some benefits. I got many chances to re-align priorities and cull unneeded possessions. Do I really need 10 champagne flutes, or 6 casserole dishes when, if I make a casseroles at all I only use one or two! Along the way I’ve learned to love Goodwill and what I fondly call the ‘treasure hunt.’

The treasure hunt starts when I move into a new place and begin to uncover all those unique, usually old, discarded things that other’s have left behind, probably hoping the new inhabitants will save them the trouble of hauling the stuff to the junkyard. To me they are valuable artifacts that hold the sometimes untold secret history of a place and provide ample food for my imagination. 

Along the way I’ve collected ancient canning jars, wooden crates, cement bird bath stands, slightly cracked ceramic pots, tall wooden orchard ladders, a deck of tarot cards hidden behind a hole in the wall, the remains of a hand hewn stone foundation and enormous rusted horseshoes.

All these treasures scream stories … Who worked those draft horses in fields without fences? … What mystery did the tarot cards reveal so terrifying that they had to be hidden away from sight? … Who took residence in the house or barn built on the old stone foundation? … So many possibilities held in these cast off objects. 

Perhaps my favorite treasure is a three tined pitch fork. The wooden handle is dried out and broken off so the whole thing is rather short and lightweight, but the tines are needle sharp. This tool fits me perfectly and if the zombies ever come after me, that will be my weapon of choice.

Beyond the lure of the hunt lies the true motivation behind so many moves, something I have been stalking and could only describe as ‘Home.’ Not a house, not something tangible, rather an elusive scent on the wind that took hold of my heart. I have packed up belongings in well worn taped-together moving boxes and tried on different places to live. Each one had pieces of what was calling me … but not the whole enchilada.

Over 20 years ago I wrote out a list of all the things I had been looking for in Home. I called it Shoot for the Moon. I would bring it out every now and then to review it and in all these years my vision of Home remained unchanged.

I believe it was in one of the Leather Stocking Tales that I first encountered the idea of a ‘geography of the soul.’ The notion that within us lies a longing for a place that fits like a glove and deeper yet, fills our soul’s hunger. I have known this hunger all my life. 

As a child growing up in the very urban area of Chicago my imagination reached out to a land I had never seen. A place filled with deep green trees, rolling hills, sculptural stone, vast horizons, and magnificent mountain peaks. I may have been surrounded by asphalt and brick buildings, but my spirit was running wild through breathtaking wilderness … this implanted vision spawned my many moves. 

Josephine Hart beautifully said it this way …

“There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home.”

I have been “lucky enough” to have found Home. Nine years ago I had a full week of fitful, disturbed sleep and other worldly ruminations. I was fairly certain my intuition was nudging me toward something I needed to uncover. I began writing anything that popped into my head. What became apparent was the awareness that it was time to move, yet again.

I am a believer in the mysterious transmissions that can penetrate thoughts throughout the wee hours of the night. A time when waking consciousness is quiet and receptive. I make it my practice upon rising to sort through the random content still rattling around my brain from the source seeking to impart valuable information. Nine years ago, the message was undeniably strong and very clear. I chose to respond at once.

I got on my laptop and for a mere 4 hours searched Craig’s List for properties ‘for sale by owner’ east of the Cascades. I made only one phone call after being struck by images posted on a particular listing. Two days later my husband Dan and I headed east, over the vast wheat fields of Eastern Washington and by early evening pulled in to where we now live. 

The first thing I noticed when we turned onto Bernhill Rd was the Dead End sign and the missing lines on the road. That meant quiet … a good sign. It got even better as the road turned to gravel meaning, more remote. Rounding a wooded hillock a wide, lush pastoral valley opened up before us. At the end of the road we turned into the very long driveway and saw the Goldilocks house—not too big, not too small and just the right mix of character. At every point along the way this place was Home. 

Weeks later in the middle of unpacking all our earthly possessions that were stacked up against the walls and strewn about the floor I pulled out my Shoot for the Moon list. I wasn’t at all surprised when our new home checked off all the boxes. Yes, it took a long time and a lot of effort, and yes, it is worth it.

I think there’s a lot to be said for holding on to a vision with all you’ve got through the inevitable disappointments, and detours, along with the occasional manifestations. In order to have that level of resolve the vision has to be authentic, pure and from the very heart of you. Honing in on that can be tricky but once you have a hold of your deepest desires from the very center of your being, anything else is just window dressing.

I have thoughts about how one gets to the very heart of their desires … That’s the subject of another article!

The Elephant in the Room …

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Overworking

I spent a good part of a very hot June day on the back patio of our house cutting in paint around edges, doorframes, electrical boxes, natural gas and other various pipes and conduit housing all kinds of hoses and wires that make our household run. I moved and climbed up and down the ladders of different heights to get to all the angles. There was very little breeze. I was sweaty and it was buggy. Sounds awful, but it had to be done.

Painting our house is toward the end of a very long list of projects we’ve undertaken on our little farm over the course of a year and a half. The first was a no-brainer—replacing the tractor shed. 

The old shed was held together by a wing and a prayer. It sat at the bottom of an ancient decaying retaining wall made of enormous creosote-soaked railroad ties that over many years of gravity having its way had bulged out to an alarming degree. 

Before we took ownership of this farm someone had haphazardly pounded in T-posts up against the wall to, hopefully, hold back the weighty railroad ties. A vain attempt to stave off the inevitable collapse which would in turn take down the aged shed and by extension destroy the very necessary tractor and other farm implements.

We had conversations with our contractor friend, one of the best men on the planet, and we made decisions. That was last spring. It’s now summer a year later and after copious delays involving permits, materials, and inclement weather our tractor shed, now affectionately known as ‘The Castle’ is complete. 

The Castle is a stellar building and will undoubtedly outlast everything on this property. It boasts a formidable concrete foundation alongside a completely new and well engineered retaining wall. It’s well built, good looking, and highly functional. 

The Castle is so nice that suddenly everything else has started to look a little worn. Before the fresh new coat of paint, Bear Cub Brown, aww, was applied to the Castle I never thought our house was in need of painting. I didn’t realize how shabby the faded green had become. That’s why I’m out here today all paint smudged, sticky, sweaty and buggy. 

I think it’s the case that in the dailiness of life I become used to certain things until something happens to shake up my awareness and then suddenly I can’t see anything else. Like the big cardboard box that has been sitting in our dining room for weeks. 

We have a relatively small house so a large cardboard box occupying some precious, in-your-face real estate should have probably gotten my attention. The box holds tubs that I am going to use for storage in our pole barn. While that project is still months away the box has remained where it landed when it came into our house off the Costco truck. 

“Why, I ask myself, is the box still in our dining room where I have been walking by it several times a day, for weeks?” “Because,” as a climber answers when asked why he or she is driven to the mountaintop … “It is there.”

It is there. That’s the best answer I’ve got. Another case of simply getting used to something. It can be awkward, in your way, something placed somewhere before you ever took possession of your home. It can be broken down, shabby and certainly doesn’t have to make sense … it’s just there. 

The box did get moved this morning when I needed some kind of surface to put my paint tray and brushes on while painting. Something that wouldn’t get damaged if I got sloppy, which I always do. It’s a big cardboard box. A perfect table. I hauled it to the patio and hopefully it, and its contents will find a final resting place in our pole barn loft in a couple of days when the painting is complete, and not of course remain where it now sits.

I wonder how long that box would have sat in our dining room if I hadn’t needed something just that size. How many things, ideas, pursuits have I become accustomed to and mindlessly accepted just because one way or another they landed in a certain place in my life.

How to wake up? Am I at the mercy of external circumstances or the fates shaking me into awareness? Must I have to stumble upon something as if bumbling around in the dark to truly see what’s in front of me. Or, could I consciously find a way to discover the cracks and crevices in my blind acceptance and complacency … how can we see our shadows and blindspots? 

Further, when examining the circumstances of my life, where is the line between dogged perseverance and embracing the way it is? There’s a hint in the last line of the serenity prayer (paraphrased to accommodate my spirituality).

May I have the grace to accept the things I cannot change … the courage to change the things I can … and the wisdom to know the difference.

Anchors & Axes …

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Addiction / Self-Care

The year, 1805 … The vessel, The HMS Surprise, a 28 Gun British Frigate in her majesties royal navy with 197 souls on board … Location, rounding The Horn in a terrifying storm … The Captain, J. Aubrey, ‘Lucky Jack’… The mission, “Intercept French Privateer Acheron, (known to the crew as, ‘The Phantom’) en route to the Pacific intent on carrying the war (with Napoleon) into those waters … Sink, Burn, or take her a Prize.”

Swells tossed the ship around like a child’s toy in a bathtub. The sails were no use and had to be gathered up in the face of the vicious wind. The only ship’s mate left in the rigging, Wally, struggled with the sails. He was calling out for help that didn’t arrive.

The wind snapped the mast, already weakened by a previous encounter with the Acheron. Wally went into the raging sea still clinging to the broken mast. No stranger to the perils of navy life, immediate action was taken, throwing in anything that would float to keep him alive as he frantically tried to swim to the ship. 

The frigid water began to engulf the broken mast still tied to The Surprise. Inch by inch the ship began turning on its side coming closer to an inevitable demise. The mast was acting as a sea anchor beckoning crew and ship alike into the deadly waters. A hard choice had to be made. Either cut the ropes that tethered the ship to the broken mast knowing Wally, newly married, affable, and much loved member of the crew would be lost … or all go under. Time was short.

The Captain made the call and axes were brought out to sever the ropes. In a stunning and completely unexpected move, he handed one of the axes to Wally’s best friend. A grave look passed between the two as the dutiful sailor took the handle and swung the ax severing anchor from ship, and friend from friend forever. 

The Surprise immediately righted itself and swiftly moved away with the current as the solemn crew watched angry swells swallow Wally into the deep. A poignant scene from the movie, Master and Commander, The Far Side of the World.

Lately I’ve felt as though I am at sea in a raging storm, hanging over the side of a ship in peril. I am staring at my sea anchor in fear of being drawn into yet another round where I allow my equilibrium to be grabbed and pulled under. The spray already chilling me to the bone with seconds ticking away, a counting down to what feels like an impossible decision. 

My sea anchor is a loved one. She is once again, in the hospital to detox and fill her depleted and ravaged body with the necessary hydration and nutrients stolen from her by her alcohol and drug use. There have been so many of these life threatening episodes that I’ve lost count. I am once again confronted with a need to evaluate my participation with her. The pattern is always the same: increasing off-center communication, strident demands, undeserved insults, and fury directed with uncanny precision at my heart. 

I’ve taken her to treatment and brought her back home more than once. I’ve gone to Al-Anon, read the books, set the boundaries, read the daily devotionals—all aimed at those who love an addict/alcoholic. I know it’s not good for her or me to stay in communication when she crashes through agreed upon limits while hurling abusive accusations.

After these wrenching encounters I watch myself lose energy, my life force slowly being swallowed up in the fury of her storm. From deep inside I hear a voice, “Step away from the madness.” Very sensible. 

I step away. I block her on my phone which is normally how we communicate since she lives far away. Days go by and I recover only to hear from another that she’s sorry. Feels badly about the things she said to me. I can believe that. What I have come to believe is that there will be no change.

I am on my ship with an ax in my hand looking out into those desperate eyes pleading for something only she can give herself. My heart melts and I give her another try. In under 5 minutes it’s an instant replay. I block her again. 

I have a chicken named ZB. She is a gorgeous, healthy Exchequer Leghorn, and a good layer. Only one problem—she goes way beyond typical hen pecking. She’s truly vicious to the other hens to the point of drawing blood. 

I’ve had uppety hens before and did what I usually do. I put ZB in ‘the slammer.’ The slammer is a fully equipped isolation pen where a chicken is taken out of the pecking order, (a very real thing) and has a few days to reset her behavior. In the past with other hens it’s worked beautifully. The offending hen rejoins the flock with gratitude and good manners. Not ZB.

Realizing the depth of her commitment to cruelty I put ZB in the slammer for a full week thinking surely that would correct her behavior. However it didn’t take long before she was back in the slammer. This time for 3 weeks. Confident this would definitely solve the problem I let her out only to see her go back to her old ways, terrifying the sweetest of my other birds within minutes.

I resolved then and there that ZB could no longer be part of the flock. The slammer is her new home. This is spring and it’s working now, but what of the winter months? There is that ax again, however, being tender hearted I’ve never been able to cull a member of my flock.

I’m weary of being at the mercy of another’s dysfunction, even when I love them … I’m weary of mean-spirited behavior whether its’s human or beast … I’m weary of the gray cloud I have allowed to block my sunshine.

I actually do believe my first loyalties and commitments must be kept and made to myself. This flies in the face of early training, when self care was branded as ugly selfishness. Those voices seem at times, impossible to quell. 

I’m confident I’ll find a way to deal with the chicken, but the other? My sea anchor? I’m holding the ax and I’ve taken a few swings. I’m struggling to cut through the last tattered threads and watch as the waves separate us, possibly beyond reach. 

I realize that hard decision is mine and only mine to make. 

Pain like stones lies heavy in the heart, around and around, beckoning, “Come closer, closer…”

Abyss … by Nancy Emeral

Lighten Up …

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The Human Condition

During the Pandemic I was, like so many of us, glued to the TV. CNN on speed dial. I carefully took note of all the suggested protocol involving contact with people, buying groceries, mask wearing, hand sanitizing, and donning disposable gloves whenever possible. I watched with horror the rising death toll and gruesome images of body bags stacked up inside refrigerated semi trucks to accommodate overcrowded morgues.

Months passed. We grew accustomed to our new life; Amazon deliveries replaced shopping trips, curbside groceries, working from home became the norm whenever possible, high schoolers missed prom and graduation ceremonies, grade schoolers grew restless without playmates, first responders and medical personal were stretched to unbearable limits, and fear of contagion fostered more and more isolation.

Globally we were battling an unseen, deadly enemy. One which we had never known before and were woefully inadequate to confront. Most everyone knew someone who had fallen. Someone who had suffered and passed from this life. It was dreadful.

Then came another hideous byproduct of the Pandemic closer to home. We began to battle, not only the virus, but one another. We took out our frustration and rage upon our neighbors all across the country. There were mask wars, vaccine wars, and a continuing weight of political hostilities that seems to know no end. 

This was, and sadly is, nothing new. Human history is written in blood. We are, in the main, a warring people. It follows that the worldwide devastation bringing us together for a time, eventually gave rise to us tearing each other apart once again. Our cyclical insanity becomes tragically boring after a while.

I no longer watch the news. There are plenty of ways to keep up with what’s going on in the world other than tuning in to mostly negative segments on any major network aimed at captivating our attention. The hunger for carnage appears to be insatiable. The more salacious the reporting, the more viewing it receives. 

I’d like to think that I am not infected with this appetite for human suffering; that my own attraction to disaster movies lies in the way the protagonists deal with pain and suffering. Hmmmm. I’m not sure, despite my intention, that it’s entirely possible to escape the blood lust endemic in the human being. Perhaps it is a matter of degree and developing consciousness above base instincts. 

These days I prefer to read my news from trusted periodicals and daily papers. I find that it’s quite a different process to capture human events in print than on the spot interviews that can easily stray into unvetted opinion. It’s easier to ‘hear’ something we want to hear when it flashes by in vivid color. Reading printed material isn’t as sexy. It enters our minds differently and recall isn’t dependent on what we thought we heard. It’s right there in black and white.

I’ve also decided to start my days by going to The Far Side. I’m an avid fan, and have been since the 1980’s. I’ve owned every page-a-day calendar produced and nearly cried when I found out Gary Larson had retired. It nearly broke my heart.

I now own the complete Far Side collection, an astute commentary on our collective stupidity in three huge volumes of pure, poignant hilarity. Gary Larson’s genius turns simple things we say or do inside out and upside down. He comically points out our insanity with a pen, not a sword.  (Incidentally, sprinkled throughout the pages are a few hilarious letters from those so offended by Larson’s humor—talk about revealing a need to lighten up!)

Of course there are real problems in life … The Pandemic is just one plight in a long line of humanity’s challenges. I’m not suggesting humor can solve difficult issues. I am suggesting that we get better at bypassing offense in favor of a little levity and self reflection. Perhaps then we wouldn’t be so quick to hurl insults, bullets and bombs at each other. Wishful thinking? But, where would we be without a bit of hopeful dreaming? 

“Life is too short to wear tight shoes.” Not sure who said that, but right to the point. My advice; follow the Golden Rule, remember that life flies by in a heartbeat, get outside and sit by a tree, rescue a dog who will teach you more than you thought possible, laugh a little more, (especially at the one in the mirror) and start your own day with a Far Side.

The comics that feature dogs are some of my favorites …

P.S. Gary, if you happen to read this … my sincere gratitude for years of smiles!

Engaging the Demons …

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Abstract Art

It’s April and it would appear that mother nature is having a meltdown. Where I live in the high desert of the Inland Northwest you can wake up to t-shirt weather: clear, sunny warm skies. Then, without much notice that clear sky becomes overcast bringing rain, sometimes fog and hail. For extra fun big fat flakes of snow could fall. All in one day. Choosing outdoor apparel can be challenging, but never boring. 

Each year, April is full of unpredictable stormy weather. I can relate. There have been many periods in my life when storms raged inside me. I felt as though I lived in an eternal April. Times when the only thing that seemed to relieve the distress was taking brushes, pots of paint, sponges, spatulas, and other various kitchen tools and pouring my heart out a large blank canvas. 

Gradually over the months and years a curious relationship developed between my anguish and my art. Hidden deep inside the pain was a paradoxical ally, a powerful propellent to fuel my creative passion. I learned that the tormenting voiceless energy inside, like a wild stallion ripping up the ground of my being on a rampage, could be reined in; harnessed for something greater under the spell of the creative process. 

Malcom Gladwell, in his excellent book, Outliers, postulates a principle to achieve expertise in any skill. He maintains as a general rule of thumb that mastery takes, along with innate ability, approximately 10,000 hours of purposeful practice. I can believe that. 

I don’t claim to have achieved expertise in my personal journey in art or writing, not even close. What has been important to me is to be the very best I can be in those creative endeavors. That’s where the principle of 10,000 hours comes into play. I have experienced something akin to a transcendent progression in both painting and writing through days, months and years of dedicated practice, both in front of a canvas and typing on my computer.

Over time I did notice a shift in both disciplines. As I yielded to the process, I became a conduit for something bigger, more powerful. I could literally feel a charge in my hands as if the paint lubricated a connection to an energy outside myself, and in a similar way when writing, words flowed onto the page. Time disappeared. 

What began as a solo act of desperation to shed my pain morphed into a mysterious partnership, like a lightening strike seeking a ground. Two disparate entities reaching for each other … magical.

Painting yielded more than canvasses filled with stories in color, it showed me a way to turn things upside down. When I was head-locked in a battle, with voices speaking lies into the seat of my wounds, I was like a hamster on a wheel. Around and around in the same dark cavern. Painting offered me a way to step out of the wheel.

Einstein said, “You cannot solve a problem with the same level of thinking that created it.” As long as I futilely battled my internal monsters the war continued to rage. I began to recognize, as crazy as it seemed, the voices were an integral, vital part of me. Trying to eradicate my demons was impossible without eradicating me. I learned to mine them for riches they held deep inside. 

Rilke said it best . . .

“All that the rest forget to make their life possible, we are always bent on discovering, on magnifying even; it is we who are the real awakeners of our monsters, to which we are not hostile enough to become their conquerors; for in a certain sense we are at one with them; it is they, the monsters, that hold the surplus strength which is indispensable to those that must surpass themselves. Unless one assigns to the act of victory a mysterious and far deeper meaning, it is not for us to consider ourselves the tamers of our internal lions. But suddenly we feel ourselves walking beside them, as in a Triumph, without being able to remember the exact moment when this inconceivable reconciliation took place (bridge barely curved that connects the terrible with the tender … )”  Rainier Maria Rilke

Emotional pain is a human condition known to all of us in varying degrees. Paradoxically, I have found that, for me, hidden inside that pain is a passage to higher ground.This painting, The Scream, is one of many that opened a way for me to step into a mystifying acceptance with my tormentors. Is it easy to welcome those demons? Hell no, but they aren’t going anywhere, so you might as well get them jerseys and put them on your team.

Three Dreams, Three Nights, Three O’clock …

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Abstract Art / Mystical Connection

My journey into the world of painting began in college while looking for an elective to fill my schedule. My roommate encouraged me to take the same painting class in which she was enrolled. As luck would have it the class fit my schedule perfectly. I have always loved to do creative things so why not paint. At that time my college career looked like a crazy quilt composed of every art and design class I could get into instead of a well paved road toward a productive future. I took drawing, textiles, pottery, industrial design, interior design, watercolor, silk screening, sculpture, and more. It was haphazard. However, I was having a fabulous time and never settled on any particular focus of study.

The instructor of the acrylic painting class was perhaps a bit unconventional. He encouraged us to get to know the medium, to feel the paint without any specific goals. Each student was to have a masonite board with large sheets of water resistant paper taped in the corners that could be easily removed so we didn’t get bogged down or attached to any particular work. We squirted out blobs of liquid color and moved them over the surface using brushes, sticks, sponges, and our hands. This free style approach totally suited my personality and I got into the fluidity of all that vibrant color. Like a kid with a set of finger-paints I pursued the exploration with abandon. 

When it came time for the first critique we all sat in a large circle. Each student held their board displaying their completed painting for all to see. The instructor walked around the inside of the circle deep in thought. You could truly have heard a pin drop. He stood in the middle of the circle for a moment then walked over to me and took the board from my hands. He held my painting up and walked around the circle showing all the other students my piece. I didn’t know what he was doing, but I was a little nervous. I thought maybe I was going to get kicked out of class when he stopped in the center and said, “Now this is a painting!” I truly didn’t know what to make of that but I believe my roommate, who was a serious fine arts major had some thoughts. 

Painting entered my life in another rather unconventional way years later through a series of dreams. To be completely candid, if I hadn’t lived through them I might not even believe my account. However, I assure you these were real. There were 3 dreams that I remembered in vivid detail, each waking me from a sound sleep 3 nights in a row. All three nights upon awakening the digital clock at my bedside read precisely 3:00 am in glaring red numbers. 

The first night … I was in a totally dark, cavern like place. Then from the far reaches of the cavern a grayish sort of indistinct light appeared which grew in intensity as it progressed toward me. The light began to take shape as it got closer and by the time it was directly in front of me I could see that it was a bright white, large rectangular canvas. I abruptly woke up. The clock read 3:00. I remember thinking, “That was weird,” and went back to sleep.

The following night I hadn’t given the dream a second thought when I went to sleep and had the exact dream down to every little detail. However, when the canvas stood in front of me instead of waking I saw a black snaky line slowly moving toward it’s top, branching out into other lines creating something like a tree. When the black lines reached the upper edge of the canvas, once again I abruptly awoke. The clock read 3:00. “Whoa, that was strange.” I went back to sleep but the memory of the two unusual dreams dropped into my thoughts from time to time throughout the day. 

On the third night I was once again visited by the same dream, and once again it was identical to the other two until the lines reached the top of the canvas. At that point something else took place. Objects in the shape of fans in various colors began to appear as if they were leaves sprouting from the ‘branches’ of the tree. Then the leaves became 3 dimensional, moving out in puffy mounds speaking one word so loudly it was as if someone was shouting in my ear. “Paint!” I woke up startled and trembling. The clock read 3:00.

I still get chills when I think about those 3 extraordinary nights and the impact of those dreams. What if I hadn’t followed that mysterious directive to paint. I think every choice I have made whether large or small is responsible for the life I am living at this very moment. I also think it’s true that choosing one path to follow over the countless others that could be taken can be very challenging. 

Now that I am in the latter part of my life I can see a pattern of decisions that at the time might have seemed like the disorderly journey I made through college. I also see that I chose to follow the scent of something larger than myself, a voice nudging me along. Can I define it? No. No more than I can move the stars, but I have learned to trust that voice.

After the three nights of those remarkable dreams I bought paints and rekindled the pure joy I found in my college days. I once again started out playing with paint like a child fully alive and present to the sheer pleasure of creating. At a point in time something shifted. The connection between the canvas, paint and my hands morphed into a timeless space connected to an energy outside myself. I began to experience something like being a conduit to faithfully write a story with paint.

Art for Awakening …

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Abstract Art

Over morning coffee my husband Dan and I were having a conversation about art. He asked if he could use some photos of my artwork to enhance his blog, ‘Thoughts.’ Having easy access to images of my paintings from years when I worked as an abstract artist I said, “Of course.” ‘Worked’ is a bit of a stretch. It would be more accurate to say I went delightedly to the canvas when the muse moved me. While getting up to refill my coffee mug he thanked me and added, “To encourage readers to reflect I asked my assistant to write up something about a piece.”

Hmmm. After giving that some thought I made sure to add. “OK, If you really think that’s necessary. As long as it’s very clear that what she writes is one person’s reaction and not a meaning that defines the work, but an example of the impact art can have on the viewer.”

Non-representational art is an avenue that can create an opportunity for reflection in an observer for it offers nothing clearly recognizable. There is no obvious roadmap to guide one’s reaction. You see what you, yourself bring to the work and in that uniquely personal space between you and the art a kind of magic can occur … Something like a key to unlock the secret dreams, hopes, and desires that perhaps have been locked away inside.

Art in the abstract offers a vast expanse for imagination and has real power to evoke deep internal awareness. It can be a tool to aid in unpacking some of the internal complexities of memory, training, inherent capacities and limitations. We’re built a lot like onions … layer after layer and even some so touching that they bring tears. However, this awareness comes at a price, and that price is investing in time for reflection and being with uncertainty. We are accustomed to a world of instantaneous answers. We like to know something and we like to know it now. To be uncertain is unsettling for us. 

I had the opportunity to go to The Tate Modern Museum in London and encountered an exhibition of some stunning paintings by Mark Rothko. These were huge canvasses filled from corner to corner with bold, sparse geometric shapes in undulating shades of deep red and burgundy. The paintings embodied a gravitas that held me spellbound, an energy that moved off the canvas to draw me, a willing observer, into an inquiry … asking, in a sense, what it is that is provoking my reaction? These masterful works of art were inviting me to take a journey into my inner world.

I was blown away by the depth of emotion I experienced in that room, the magnitude of impact. I sat down on a viewing bench to drank it all in while crowds of people walked through, many unimpressed. I heard things like, “It’s just a wall of red. Anyone could do that.” “I don’t get it, let’s move on.” In contrast, across the room on another bench was a young man who also appeared to be mesmerized by the power of these paintings. A tear escaped my eye and ran down my cheek as he glanced over and we silently acknowledged each other. A fellow traveller. 

It’s unfortunate that those who walked through the gallery without pausing to reflect missed an opportunity to allow the art to work its magic. For my part I wonder how many openings for a bit of insight I dismiss for lack of pausing for reflection. 

P.S.  After writing this piece I struggled to find a title. Nothing I came up with held the essence of what I was trying to say. Since I wasn’t getting anywhere I went out to my garden. While digging into my strawberry beds I realized I had already written the title many years ago. ‘Art for Awakening’ … This title captured my purpose at that time whether writing or painting, and it still does. 

Tethers & Measures …

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Family & Legacy / Mystical Connection

What is it that keeps us tethered to the earth when all around are reasons to float away?

It’s early morning and the sky is still dark. A time of magic when all the unknown possibilities a day might hold lie waiting like secrets infused into dew-laden leaves. These liminal moments are fleeting. All too soon the sun will enter the theater and strip away the mysteries under its glare. The shadows will disappear, the stage for imaginings will dissolve into the machinery of a new day … but not yet.

I am comfortably nestled into my corner of the old brown dog couch named as such from years of unspeakable fluids spewed on it along with wet dog feet and hair laced with all manner of dirt ground into the fibers. I am the only family member who dares recline on this sofa even though I cover it with a relatively clean throw. As the couch’s sole human inhabitant I have a right to claim a particular corner as my own. Laptop open, I’m eager to attempt capturing the fragile musings in last night’s dreams … all of which are at risk of fading away with the dawn. Some of these hazy images and feelings will filter down through my fingers onto the page while others remain in the shadows, resisting being tethered to language.

Closing my eyes I draw in a deep breath attempting to remember what came through my dreams, to pull back the curtain. This morning it doesn’t work. The aroma of coffee and the smell of my wholesome canine keeps me anchored to the moment. Zoe is pressed up against my side. Her still sleepy warm body lets loose a scent holding the stuff of coyote footprints, grasses scented by every passing deer and rodent she encounters on our daily walks. Zoe is 85 pounds of long legs and crazy playful energy. But in this early morning she is 85 pounds of companionable, loyal love managing to condense her large chest, massive head and long tail into an impossibly tight ball to get that extra bit of sleep. I can feel the steady expansion of her lungs. It’s perfect, except for one thing. My mug is empty.

Not wanting to disturb our cozy arrangement I am about to call out for my husband Dan when he just happens to walk into the room.“Would you please refill my coffee?” I ask. “Sure,” he replies, and returns minutes later mug in hand. “Did I get it right?” he asks? I almost say, “Yes.” However, it issn’t right, and no use pretending. “It needs just a scooch more cream.” “How much?” he asks. “I need it quantified.” “You know, just until the color turns a little more like soft caramel,” I answer knowing full well he probably won’t understand. Never Measure conjoins with Always Measure.

When I was growing up I was fascinated by my grandmother’s kitchen. Grammy lived with my aunt and her family in a small brick house in a Slovak neighborhood in Chicago. Reliably my first impression when I walked into the kitchen was the irresistible aroma of the Sunday chicken soup simmering on the stove. I can still smell it. My grandmother, her apron covered in white flour could be found working a massive lump of dough that would become her soft eggy noodles to adorn the nourishing weekly ambrosia.

The small house in the melting pot neighborhood close to Midway airport was the hub of my large extended family. On Sundays it was full to the brim with moms, dads, aunts, uncles, and cousins plopped down wherever they could find a place to sit and dig into large bowls of steamy chicken noodle soup. At the heart of it all, my rosy cheeked, twinkly eyed, pleasantly chubby and surprisingly strong Eastern European grandmother.

Sundays were the highlight of my week leaving the erratic days in between as something to endure. Mom was chronically depressed, almost invisible, and Dad was undiagnosed bi-polar, leaning toward the manic side most of the time. To spice it all up he was also a charming con man, a gifted communicator who could cast spells over his victims accompanied by an endearing smile. A positive outcome from those years was simply that I got a lot of practice at being creative. I was building the muscles of my imagination finding ways to navigate my sometimes monstrous home life.

My young life was something akin to picking my way across a glacier field in pitch black. I never knew when I’d slip and fall into some uncomfortable and dangerous place. But there was always Sunday to look forward to even if I had to endure the boring tedium of church in the rare mornings when Mom could get dressed in time. I could hang on through the hymns that made no sense and were always at a pitch I couldn’t sing. Then there was the continual standing up, sitting down, prayers that never ended, and the smell of stale paper. Knowing we were going into the city to Grammy’s I could endure. 

My grandmother was my North star. In the stormy sky of those young years she was the reference point that righted my internal compass. When Grammy saw me she would open her amply muscled arms wide and in I’d go for the embrace I lived for. “Nanka!” she would cry out. When I heard that, I knew everything would be all right. I remember each little thing about her … the way she moved her arms when she kneaded bread dough, the fat pink yarn she would tie in a bow at the top of her head to hold her soft silvery gray hair back while she was in the kitchen. The way she always smelled soapy clean, her half Slovak half English speech whose meaning I understood even though I didn’t comprehend every word. 

What I did know more than anything in those early years is that my grandmother loved me, and when she looked at me I saw something special reflected in her grayed cloudy eyes. Her caring kept me intact and anchored my spirit to life when too much of the time all my child heart wanted to do was float away. I clung to everything about her, and when it came to cooking she reigned supreme.

“Never measure Nanka,” she said while cupping her hands to fill them with just the right amount of flour, yeast or salt while teaching me to make Buchta or Kolache. She felt her way through baking never using measuring cups or spoons, only her hands, and the results were magical. I would stand on a chair to see what she was doing, studying her every move. I fancied myself her apprentice. Grammy had me feel the noodle or bread dough by taking my hands and pressing them into the warm rounded lump. It felt so good under my fingers. It felt like home. 

She taught me to use my nose to add spices to a pot of soup, or chicken paprikash on the stove. Grammy would fan the flavorful steam toward her face inhaling deeply before throwing in more garlic, caraway or peppercorns. Just remembering those Sunday mornings in her kitchen I can conjure up the smell of roasting beef, pork loin, or her roast duck with golden brown potatoes. These were meals that could bring anyone to their knees and she did it all by smell. This culinary technique remained a mystery to me for many years even though she did her best to train me in the trade. But as time passed I found myself ‘sniffing’ my own cooking. I haven’t had many complaints, but I do recall a nasty turkey curry. 

I learned very well at a tender age to ‘never measure.’ This principle, so deeply engrained in my psyche grew to an all encompassing life mantra bearing mixed outcomes. It really helped me develop my artistic intuitive side and not so much my algebra and chemistry side. I think some of my teachers gave me passing grades out out of a deep sense of charity. 

It stands to reason that ‘Never Measure’ would meet and partner up with ‘Always Measure.’ The universe loves complementary balance, and apparently so do I. My husband Dan measures everything. He takes scrupulous notes on procedures that involve meticulous details from the humidity in his cigar humidor, firing up the emergency generator, bromine balance in the hot tub, and all things computers. He fills pages with carefully produced numbers down to minute fractions. He’s the kind of guy who would work at NASA and be responsible for the exacting precision needed to launch a space shuttle. We truly do revolve in different orbits and somehow it works. Mostly he gets the cream in my coffee to the right color and he does it with a measuring spoon.

There were other more subtle things my grandmother passed on to me, or perhaps awakened in me.  She was a bit clairvoyant, spooky in a bohemian, gypsy, old world way. Knowing things she ‘shouldn’t’ really know. I came to visit her when I was in college; a crazy wild time for me. Finally I was extricated from home and with vigor set about attempting to shake off the toxic fallout of so many years of familial imprisonment. Unfortunately, and predictably, I made poor choices succeeding only in accruing more damage to my already shredded soul. 

I walked in through the kitchen door fully expecting her to turn around and beam that loving smile I so depended upon. But this time she did not turn around to greet me. My grandmother stood, her back to me, stirring a big pot of soup on the stove. “Nanka, I watching you,” she said, still not facing me. Her voice was a cold arrow that pierced my heart. I was chastened, knowing full well that she was aware of my wild ways. Only four words and nothing else needed to be said. 

I was still in college when my Grandmother died. The night before she passed I had a dream. Grammy appeared to me and spoke, not in half Slovak, half English but in another strange mumbly language that somehow I understood while dreaming. She was earnestly getting my attention and when she had it she threw something like a glowing gossamer net over me and I felt her warmth and love permeate my body. Then she slowly faded into the background. 

I called home when I woke up to learn that at 98 years old, and in good health other than the typical aches and pains of the elderly, my Grammy had passed in her sleep. Although I can’t say for sure that I understand all she was trying to tell me I believe she came to me as she lay dying to say good-by and to give her little Nanka one last embrace.

My grandmother grounded me in this life with a sense of belonging beyond the confines of the troubles in my early years. She gifted me with a heritage deeply rooted in the soil of the forested hills of Eastern Europe. Her life overlaps mine, the spark of recognition between kindred spirits. She also touched my life in a way that awakened rich horizons beyond the physical with ears that could hear whispers in the woods, and dreams that have shined a light on my path. 

These days, when I work a lump of dough, walk through our little woods, see the full moon in the night sky, wake remembering one of ‘those’ dreams, or hear the wind speak through the branches of ponderosa pines covering our hillside farm I feel her life flowing through mine. My grandmother still anchors me to this life … my North star continues to shine.

The sun is cresting the mountain. Time to get up and be about the day. Zoe senses the shift in my energy and uncurls her length letting out a long groan. She’s a world class groaner. I give her a bit of doggie massage as Dan walks through the room. “You’ve been writing for a while,” he notices. I look up and smile. “Can I refill your cup?” he asks. “Yes, please,” I say, “Oh, and don’t forget to measure the cream!” He laughs, “As if I could.”

Honeybees & Wild Geese …

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Follow Your Heart

Mary Oliver, in her exquisite poem “Wild Geese,” writes, “You only have to let the soft animal of your body loves what it loves.” I often breath in those words as if my very life depended on them. That simple sentence pours comfort on my soul as no others have. 

“Mary,” I ask, “Do you mean to say that I can simply write, create stories in my imagination, paint, walk in the woods, doodle, cook fragrant food, build stone cairns, dream fantastical things, listen to birds, cuddle up with my dog, dig in the dirt and watch things grow?” She answers, “You do not have to walk on your knees for a hundred miles through the desert, repenting.” 

Her answer is the redemption I have sought and never found in all my earnest searching. I speak this poem to myself frequently as a mantra to keep my head above the waters of despair … clinging to these words as a life jacket to keep me afloat when weighted down by my inadequacies. That brings to mind a verse from another poem. This from Antonio Machado’s poem, “Last Night As I Was Sleeping,

"Last night as I was sleeping I dreamt--marvelous error!
--that I had a beehive here inside my heart
And the golden bees were making white combs
and sweet honey from my old failures."

“Antonio,” I ask, “Are you saying that all the buzzing and rumblings that too many times keep me up all night are the bees working their magic in my heart? And, not an indication of my unworthiness?” And he answers, “Marvelous error!”

Mary Oliver's "Wild Geese"

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting--
over and over announcing your place in the family of things.